9 to 5 the Musical
Get ready to clock in for a night of laughter and iconic songs!
Join us for the ultimate feel-good musical comedy as 9 to 5 The Musical bursts onto the stage with sass, style, and a whole lot of Dolly sparkle!
Featuring an irresistible score by country music legend Dolly Parton, this hit show follows three office workers who’ve had enough of their overbearing, chauvinistic boss. When a wild idea turns into a daring plan for revenge, chaos, comedy, and sisterhood take centre stage.
Inspired by the much-loved 1980s film, 9 to 5 The Musical is a joyful story about friendship, courage, and standing up for what’s right, all set to toe-tapping tunes you’ll be humming long after the curtain falls.
Lively, empowering, and outrageously funny, this is one night at the theatre you won’t want to miss!
View tour dates
MEET THE CAST
Kayla Carter as Judy
Training: The Royal Academy of Music
Theatre credits include: Faith in Military Wives (world premier, York Theatre Royal) Tina/Cover Deloris and Mary Robert in Sister Act (Australian Tour); Originating the role of Bonnie in I Should Be So Lucky (UK & Ireland Tour); Alternate Doris/1st cover Sofia The Color Purple (Curve/Birmingam Hippodrome & UK Tour); Original Cast Bedknobs and Broomsticks (UK & Ireland Tour); Ensemble in Rent (Hopemill Theatre); Refresh (Underbelly Festival) and The Limit (Vaults Festival).
Workshops include: Shirley (Jonathan Church Theatre Productions ); Military Wives (Dominion Gallery); Lovestuck (Unicorn Theatre), Jubilee (Old Vic), Superyou (All Awesome LCC); Prom Fever (Mirrorball Films); Fangirls (Sonia Friedman Productions) and I Should Be So Lucky (Ambassador Theatre Group).
Television include: Pat in Kinky Boots (ITV’s Royal Variety Performance) and Bonnie in I Should Be So Lucky (BBC’s Children in Need).
Jessica Martin as Roz
Jessica Martin is a multi-talented entertainer whose career embraces acting, singing, impressions, cabaret performing, writing and illustration. She comes from a musical family -her grandfather was the orchestra leader at the Raffles Hotel, Singapore and her father Ido Martin was a band leader and jazz musician with whom Jessica performed from an early age. After graduating from London University with a degree in English and Drama, Jessica got her big television break as the sole female impressionist in the LWT series Copycats. She was also a regular voice actor on the iconic Spitting Image series as well as starring alongside Bobby Davro in his impressionist series Bobby Davro’s TV Weekly. At this time, she was a frequent guest on variety shows such as Sunday Night at the Palladium, Summertime Special and several Royal Variety Shows.
As an actress, she played the memorable character of Mags, an intergalactic werewolf in the Seventh Doctor season of Doctor Who. She reprised the role in three audio dramas for Big Finish and even illustrated her for an exclusive Doctor Who comic published by Titan.
She made her West End debut playing Sally Smith opposite Gary Wilmot in the hit musical Me and My Girl at the Adelphi Theatre and has performed in over thirty musicals to date. Other theatre credits include: Babes in Arms (Open Air Theatre, Regent’s Park), The Wizard of Oz (Theatre Royal, Plymouth and tour), The Card (Open Air Theatre, Regent’s Park), Mack and Mabel (Piccadilly Theatre and Southwark Playhouse), South Pacific (Churchill Theatre and tour), Sweeney Todd (Bridewell Theatre), Sunset Boulevard (Comedy Theatre), Spamalot (National tour), Sondheim at 80 (Royal Albert Hall), Elf the Musical (Dominion Theatre), Shirleymander (Playground Theatre) Blitz! (Union Theatre) and Menopause – The Musical 2 (UK & Ireland tour). Jessica headlined the London revival of the Jerry Herman revue Jerry’s Girls (Menier Chocolate Factory) and played Lily Pepper in Noel Coward’s Red Peppers and Deena Ames in Aged in Wood (Tabard Theatre).
She has performed panto many times alongside legendary performers including John Inman, Peggy Mount and Christopher Biggins. Panto includes: Cinderella (De Montfort Hall, Leicester), Aladdin (The Grand, Wolverhampton), Peter Pan (Wycombe Swan), Mother Goose (Cambridge Arts), Cinderella (Churchill Theatre, Bromley) Goldilocks & the Three Bears (Richmond Theatre), Mother Goose and Aladdin (Cheltenham Everyman).
Jessica writes and draws comics and graphic novels inspired by her love of films and showbusiness. Elsie Harris Picture Palace was shortlisted for the Myriad Editions First Graphic Novel Prize and her graphic memoir, Life Drawing – A Life Under Lights was longlisted for the Comedy Women in Print Prize and Theatre Book Prize 2020.
Jessica has most recently played Frau Blücher in the award-winning regional premiere of Mel Brooks’ Young Frankenstein (Hope Mill Theatre, Manchester & Liverpool Playhouse) and appeared in the UK premiere of one-woman show Grindr Mom (Waterloo East Theatre).
Jade Marvin as Violet
Training: Arden School of Theatre.
Theatre: Momma Mccoy in Starlight Express (Troubadour Wembley Park Theatre); Aragon in Six (NCL); Mrs Otter in The Wind in the Willows (The Turbine Theatre); Sharky in Squad Goals (Dagenham & Redbridge F.C.); Elegies for Angels, Punks and Raging Queens (Union Theatre); Bad Girls: The Musical (Upstairs at The Gatehouse); Mythic (Charing Cross Theatre).
Workshops: Just For One Day, The Pocket (Theatre Peckham)
Recordings: Momma in Starlight Express (2024), Mythic (Original London Cast Recording 2019)
Other Work: The Royal Variety Performance 2024 (ITV), The Olivier Awards 2025 (Royal Albert Hall), Magic at the Musicals 2025 (Royal Albert Hall).
Awards: Black British Theatre Award for Best Supporting Female Actor in a Musical – Starlight Express (2025)
Tim Rogers as Franklin Hart, Jr.
Tim trained at the Victorian College of the Arts, Australia.
Before moving to the UK in 2000, his credits included “The Phantom of the Opera”, “South Pacific”, Sondheim’s “Follies” in the role of ‘Young Ben’, Freddie Eynsford-Hill in “My Fair Lady”, “Miss Saigon” (original Australian cast),“Jesus Christ Superstar”, ‘Henrick’ in “A Little Night Music” (Melbourne Theatre Company), ‘Ravenal’ in Livent’s production of “Showboat”, the title role in “Leonardo – A Portrait of Love” and guest starred as ‘Domenique’ in the NIDA production of Steven Scwartz’s “The Baker’s Wife”. He also performed with the Victoria State Opera and Opera Australia, including the role of ‘Nadir’ in Bizet’s “The Pearl Fisher’s”, ‘Parpignol’ in “La Boheme” and ‘Algenore’ in Mozart’s “Il Re Pastore”.
Tim has sung all over the world, from New York to Moscow, from Japan to Italy. He regularly sings with the BBC Concert Orchestra and has performed with the artists including Beyonce, Pink, Michael Ball, Elaine Paige and Sarah Brightman.
His UK debut was the role of ‘Tony’ in “West Side Story” (West End and UK tour). Since then he appeared as ‘Frederick’ in D’Oyly Carte’s “The Pirates of Penzance” at the Savoy, as ‘The Man’ in “Whistle Down the Wind” (UK tours 2001-2002 and 2003, and West End Palace Theatre, 2006), ‘Bobby’ in “Putting it Together” at the Manchester Library Theatre, ‘Jerry’ in “The Full Monty” (UK No 1 Tour) and “The Thing about Men” which played to full houses at London’s King’s Head Theatre.
Tim toured the UK in the lead role of ‘Alex’ in “Aspects of Love” and was personally invited to help create the sequel to “The Phantom of the Opera,” “ Love Never Dies.” Tim played the roles of ‘Jekyll and Hyde’ for Morphic Graffiti at the Union Theatre and the role of ‘Saul,’ in the West End Debut of “Rags” at the Lyric Theatre before the sell-out and critically acclaimed season as ‘Billy Bigelow’ in “Carousel” at the Arcola Theatre. He then toured the UK and Europe as Judas Iscariot in the Lloyd Webber smash “Jesus Christ Superstar” and went on to play the role of Captain von Trapp in the iconic “The Sound of Music.” He then revisited “Jesus Christ Superstar,” this time playing the role of Jesus, followed by the role of Byron Mayo in the National tour of “An Officer and a Gentleman,” Tim payed the role of Woodsy Niles in the world premiere of “Midnight Cowboy’ the musical,followed by role of ‘Pat Denning’ in “42nd Street” at Kilworth House.
Karla Tracey as Doralee
Training: The Conservatoire of Music at TUDublin, & The Irish College of Music Theatre
Theatre: Sheila Kelly in Irish Affair; A Love Story for All Time (National Opera House, Ireland)
Workshops / Concerts: Eufrasia in 1588 The Musical (Royal Irish Academy of Music), Lois in Lois The Witch (National Opera House, Ireland)
Radio: Callan’s Christmas Eve Concert (Raidió Teilifís Éireann)
Karla is delighted to be making her professional UK debut with 9-5 The Musical, and wishes to thank her partner, family & agent for their constant support.
JAMIE CHIDZEY
ENSEMBLE
SAMMY GRAHAM
KATHY
CERIS HINE
MARGARET
BRADLEY JUDGE
DWAYNE / DETECTIVE / TINSWORTHY
BENJAMIN KARRAN
JOE
COLIN KIYANI
BOB / DICK / DOCTOR
Alicia Mencía
MARIA
ASHLEY ST JOHN
ENSEMBLE / DANCE CAPTAIN
RODNEY VUBYA
JOSH
JEMIMA-JANE WILLCOX
MISSY / CANDYSTRIPER
BETH WOODCOCK
ENSEMBLE
MEET THE CREATIVES
Paul Jepson
Director
Paul Jepson is the Creative Director and CEO of Landmark Theatres. Previously he has been the Artistic & Executive Director of the Exeter Northcott Theatre and the Joint Artistic Director of Fireraisers TC.
He has directed at the National Theatre, in the West End, in most regional producing theatres, at the London New Writing Theatres and his productions have toured on the number one circuit. He is a published playwright.
CREDITS: Rent – Landmark Theatres; The Beggar’s Opera & A Christmas Carol – Queen’s Theatre Barnstaple; The Railway Children (National Tour), Don Carlos, Betrayal, This Is My Body (Tour) – Exeter Northcott; The Incomers – The Pleasance Theatre & tour; Manchester Sound the Massacre & I Ought to Be in Pictures – Manchester Library Theatre; Good Creatures & the Jeweller – Ten Ten Theatre; Telstar – National Tour & West End; Haunted – Arts Theatre; Fame: The Musical (Associate Director) – West End; Life After Life (written & directed), National Theatre; Rats Buckets & Bombs & Anatol – Nottingham Playhouse, The Idiot – West Yorkshire Playhouse; A Doll’s House – Salisbury Playhouse; Charley’s Aunt – Norwich Playhouse; 15 Minutes – New Vic Workshop; The Provoked Wife – Southwark Playhouse; Bright – Soho Theatre ; Teenage Vitriol – Finborough Theatre; Three Men In A Boat – National Tour; Gasping – National Tour; Things The Go Bump, Loaded, International Writers’ Festival (With Hampstead Theatre), Car Thieves – Fireraisers TC; The Escape from the Seraglio, Orpheo – Opera Spezzata & Theatre Royal Plymouth; The Fool, Quartermaine’s Terms & Innocent as Charged – RADA; Alfie, Anatol, Present Laughter, As You Like It – Royal Welsh College of Music and Drama; Machinal – Rose Bruford College; Judgement, As You Like It, A Doll’s House – Spire Productions
AWARDS: Anti-slavery media awards best stage production winner for This Is My Body Manchester theatre awards nominee Manchester sound: The Massacre, Gasping; Wellcome Trust, Science on Stage & Screen & Impact Awards – winner The Idiot; What’s On Stage nominee – East & Telstar.
Mark Crossland
Music Supervisor
Mark provides services for Music Theatre and TV. As such is a freelance composer, arranger, conductor, musical supervisor and orchestral manager.
TV/Film:
As Music Supervisor and Composer Mark has worked on – Penny on MARS (seasons 1, 2 and 3 – Disney TV), Alex and Co (3zero2). On The Sound of Musicals (BBC1) Mark composed the theme tune as well as being an arranger and copyist. He was the arranger on the film Another Mothers Son (BK Films) and composed for the shows Singled Out (MTV/Channel 5) and Dating Hell (Sky One). The latter he was featured as a member of the House Band; something he also did on Lorraine Kelly’s Friday Fever (ITV). Mark has also worked musically on the following shows; John Barrowman Show, This Morning and Saturday Night Takeaway (all ITV), The One Show (BBC1) plus composed various jingles. He is also working with Factory Films on a project aimed for Sky Arts 2022 alongside working on a feature film called Dartmoor Escape with Amoux Films. Mark has also composed for 2 children shows Polka Dot Shorts and Wheels on the Bus both of which toured the UK.
Theatre Supervision/Arranger:
I’m Every Woman (Peacock Theatre, London), Midnight (Sadlers Wells, Stratford), Get Down Tonight (Charing Cross Theatre), The Friends Musical Parody (UK Tour), Who Do Ya Love (Toronto Workshop and Edinburgh), Now Musical (UK Tour), Rent (New Theatre, Peterborough), The SpongeBob Musical (London Southbank Centre and UK Tour), 9 to 5 (Savoy Theatre, UK Tour, Australian Tour and South Korea), We Will Rock You (World Tour), Madagascar (UK, US, Australia and New Zealand Tours)Trump L’Oeil (The Other Palace, London), Bring It On (London Southbank Centre and UK tour), Footloose (Peacock Theatre, London, Uk and European Tour), A Christmas Carol (Queens Theatre, Barnstaple), Falsettos (The Other Palace, London), Jersey Boys (World Tour), Little Miss Sunshine (Arcola Theatre, London and UK Tour), Avenue Q (UK Tour), Fame (Peacock Theatre/Troubadour Theatre, London and UK Tour), Flashdance (UK Tour and South Korea), Wizard of Oz (Blackpool Opera House), Our House (UK Tour), Spamalot (UK Tour), The Producers (UK Tour), High School Musical, 2 (UK Tour), Annie (UK tours, Singapore, Hong Kong and New Zealand), Little Shop of Horrors (UK Tour), The Snow Gorilla (The Rose, Kingston, London), Hello Dolly (UK Tour), Oliver (Lincoln Theatre Royal and Kuala Lumpa), Electric Lipstick (UK Tour), Miracle on 34th Street (UK Tour), Teen Scream (Lincoln Theatre Royal and Edinburgh Fringe), Bor Productions for MSC, CMC for P&O plus, various Pantomimes.
Theatre MD:
(West End) Heathers, War of the Worlds, Dance Til Dawn, American Idiot, Carrie, Knights of the Rose, Stripped, Altar Boyz, Batboy, From a Jack to a King and Return to the Forbidden Planet.
(UK Touring Theatre’s) Rent, 9 to 5, La Cage au Folles, Sister Act, Hairspray, High School Musical 1 and 2, Seussical, Annie, The Roy Orbison Story, Thank you for the Music, Elvis the Musical, All you Need is Love, Blues Brothers meet Soul Sisters, Harrys Web, Phantom of the P’Opera and Rock N Roll Heaven
He is currently writing two new musicals which will hopefully be seen soon.
Amanda Stoodley
Set & Costume Design
Amanda Stoodley is an award-winning set and costume designer working in theatre, music, installation & exhibition. Credits include: RENT (Landmark Theatres); CYRANO (Traverse & Park Theatres); JEKYLL & HYDE (National Theatre); NORA: A DOLL’S HOUSE, BLOODY ELLE – A GIG MUSICAL, (& Lyric, Soho & Traverse Theatre), QUEEN MARGARET, MOMENTS THAT CHANGED OUR WORLD, HAMLET, BLACK ROSES (& UK Tour), ALL I WANT IS ONE NIGHT (& Wilton’s Music Hall), TWO, WINTERLONG (& Soho Theatre) (Manchester Royal Exchange Theatre); ANTIGONE (Guildhall School of Music & Drama); THROUGH IT ALL TOGETHER, DECADES – STORIES FROM THE CITY, EUROPE, AROUND THE WORLD IN 80 DAYS, BE MY BABY, UNTOLD STORIES (Leeds Playhouse); THE LAST TESTAMENT OF LILLIAN BILOCCA (Hull UK City of Culture 2017); HERE’S WHAT SHE SAID TO ME, TRIBES, A RAISIN IN THE SUN, THE EFFECT (Sheffield Theatres); THE PATIENCE OF TREES, THE MASQUE OF ANARCHY (Manchester International Festival); FIREFACE (Young Vic Theatre); MANCHESTER SOUND: THE MASSACRE, MANCHESTER LINES (Manchester Library Theatre); ANON (Welsh National Opera); RENT (Landmark Theatres); KINKY BOOTS (New Wolsey Theatre & Queen’s Theatre Hornchurch); THE MAW BROON MONOLOGUES (Tron Theatre, Glasgow); FAITH HEALER, NORTH & SOUTH, BEFORE THE PARTY (Pitlochry Festival Theatre); A LITTLE PRINCESS (Theatre By The Lake); THE RISE & FALL OF LITTLE VOICE, SUMMER HOLIDAY, THE BIG CORNER, EAST IS EAST, JANE EYRE, WINTER HILL, THE TENANT OF WILDFELL HALL, TO KILL A MOCKINGBIRD, PRIVATE LIVES, DUET FOR ONE, SEPARATION, (Bolton Octagon Theatre); DR BLIGHTY (Nutkhut, 14-18 NOW, Brighton Festival).
Lisa Stevens
Director/Choreographer/Intimacy Coordinator
Lisa is a multi-award-winning Choreographer, Movement Director, Director, and Educator, with credits spanning the globe. She was recently honored with an induction into UNESCO’S CID (Conseil International de la Danse), the official umbrella organization that recognizes prominent federations, organizations, and selected individuals in all forms of dance worldwide.
Selected credits include: Get Down Tonight, the KC & The Sunshine Band Musical! (Charing Cross Theater) Who Do Ya Love? (Edinburgh Festival); Dolly Parton’s 9 To 5 The Musical! (West End, Australia, Korea, and touring companies); Anyone Can Whistle (Off West End, London); Bingo! (Off Broadway); Ride, The Musical (Winnipeg Jewish Theater) World premiere of Disney’s High School Musical (US, UK, and Australia Tours); Disney’s High School Musical 2 (UK Tour); The Little Prince (Theatre Calgary); Bombay Dreams (Broadway Assoc. Choreo); Bombay Dreams (US Tour); Broadway Bares Game Night “Parcheesi” (Hammerstein Ballroom, NYC); Common Grounds (NY Musical Festival); Coriolanus (Fight Choreographer – Bard on the Beach); West Side Story (Drayton Ent.) The Witches of Eastwick (Ogunquit Playhouse); Prom Queen (London Grand Theater ); Cutman – A Boxing Musical! (Goodspeed ); and feature films – Diary of A Wimpy Kid 2, Emmy nominated Dreaming Of A Jewish Christmas; and for Netflix – Fear Street “Prom Queen” and Kiss of Death. Instagram @lisastevensreal
TOUR DATES
